雕像也会死亡

  • 让·内格罗尼 弗朗索瓦·密特朗 教宗庇护十二世 Sugar Ray Robinson
  • 120分钟
  •   《雕像也会逝世》(Les statues meurent a…  《雕像也会逝世》(Les statues meurent aussi,阿兰·雷乃、克里斯·马尔凯,1953年出品,27分钟)尖利地批评了西方殖民主义对非洲传统艺术的戕害以及自称酷爱非洲艺术的上等阶级的贪婪与虚假。本片的主角是来自黑非洲的人物雕像、面具和其他非洲艺术品,可是它们的表演场所并非黑人的故土,而是白人的欧洲,艺术品商场和艺术品拍卖会是它们一再出没和停留的中转地。这些原本被非洲部族用来反抗逝世的面具和雕像,现在却呆在博物馆的橱窗里静静地死去。此刻,画外音告知咱们:“当人死去的时分,他便进入了前史;当这些雕像死去的时分,它们进入了艺术;这种关于逝世的学识,咱们最终称之为文明。”因为本片具有明显而激烈的社会批评认识,自拍竣之日起即遭到法国政府禁映,直到1963年才解禁。本片由善于编排的阿兰·雷乃操刀编排,由强于写作的克里斯·马尔凯编撰说明,充分发挥了两人各自的强项,可谓强强协作的结晶。  This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

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